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Recording Studio
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Crafting Immersive Soundscapes for Visual Storytelling

I've always had a deep passion for post-production sound. Since starting my business in 2012, I’ve always dabbled in sound editing and design and for the last few years I've been excited to expand more of my work into post-production. Now, using Pro Tools—one of the industry’s leading Digital Audio Workstations—I craft immersive soundscapes for all kinds of film, television, and video productions.

Sound Designer

I craft and shape the audio world of a production, designing bespoke soundscapes, effects, and atmospheres that enhance storytelling and immerse audiences in the experience.

Dubbing Mixer

I bring all the audio elements together in the final mix, balancing dialogue, sound effects, Foley, and music to create a seamless, polished soundtrack ready for film, TV, and online content.

Foley Artist & Recordist

I recreate and record custom sound effects—such as footsteps, cloth movement, and object interactions—adding realism and depth to a production’s audio.

ADR Recordist/Mixer

I capture high-quality replacement dialogue in a controlled studio setting, ensuring seamless integration with the original performance for film, TV, and video projects.

DJ

How it works

01

Get in touch and talk to me about your project. What is it you're looking for? What is your timeframe? What is your budget?

02

Based on our discussion, I will create a quote for the work and a rough schedule to complete everything.

03

Once we're happy, I will complete the first pass of the mix (from my home studio) in the timeframe discussed and arrange phone calls, video calls and/or face-to-face meetings to discuss director/producer feedback along the way.

04

Once all feedback has been implemented, the final pass of the mix will be complete and arrangements will be made to hand over the mixdown(s) to the relevant parties involved.

Sound Waves

Portfolio

Below is my portfolio of post-production sound work from over the years. Some projects are still in festivals or have copyright restrictions that prevent me from sharing them in full, but I’ve included as many clips as possible to showcase my work.

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Dubbing Mixer / Post-Sound Mixer

The Duke of Wentworth

short film

2025

dir. James Lockey

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Sound Designer

Christmas.DV

short film

2025

dir. BFI Film Academy [Blackpool]

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Sound Designer

Brothers in Arms

short film

2025

dir. BFI Film Academy [Rochdale]

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Sound Designer

Our Neighbour's Ass

short film

2024

dir. Max Goldberg

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Sound Designer

Game Changer

short film

2023

dir. BFI Film Academy [Manchester]

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Sound Designer

Boredom

short film

2021

dir. George Bartlett

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Sound Designer

Voodoo

short film

2015

dir. Dan Guest & Mathew Kennedy

How much will it cost?

It really depends on the type of project, the length of the project and the amount of work involved. Once you get in touch, make sure to give as much information as possible so I can give you the most accurate quote possible.

Do you compose music too?

Unfortunately not. I can mix music (and even mix different instruments together) into a sound mix, but I'm not a music composer. I do know a bunch of great composers though so let me know if you ever want any recommendations!

Where do you work from?

I work from my professional home studio in Wakefield, West Yorkshire. Clients, directors and producers are welcome to visit during the post-production process if they prefer to have face-to-face feedback sessions.

Can you provide just Foley or just ADR recording services?

Yes, if all you're looking for is some foley sound recordings or an ADR session with cast, then just get in touch and I can provide a quote for these individual services.

How long does it take to complete a mix?

Depending on what is involved, it could take anywhere from 1 week to 4 weeks. It entirely depends on the type, length and content of the project.

What do you work with?

I work with the latest version of the Digital Audio Workstation (DAW), Avid Pro Tools on PC. I also have the Adobe Creative Suite, featuring Adobe Audition and Premiere, which allows me to move between different software if and when required.

You're a Sound Recordist too, can you do both location sound and post-sound for me?

Absolutely! In fact, this is the best scenario for me as I love being involved in a project from start to finish. As a sound recordist on set, I can start making early decisions about the post-sound mix further down the line which is really liberating.

FAQs

Microphone Sound Editing
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